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Postwar Germany

~ 1945-1949

Postwar Germany

Author Archives: Anika

New German magazine – Geo Panorama

19 Wednesday Feb 2014

Posted by Anika in Media

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geo, germany, history, magazine, postwar

I learned to read German from two sources — “Tim und Struppi” comics, and Geo Epoche, a glossy history magazine. I don’t work for Geo, have never written for them. The recommendation I’m making here is purely from a history buff who has loved the magazine for years.

Geo has a photo-heavy edition called Panorama, and the latest is all about postwar Germany from 1945-1955. I picked up Trümmerzeit und Wiederaufbau yesterday from the local news stand. The magazine is black and sleek. It lays out the period photos beautifully, some in panorama format over two pages. The most startling photos are usually the color ones, and there are a few here that just leap off the page. The large format color photo of Berlin in ruins is for me almost worth the price of the whole magazine.

If you want to take a look, here’s the link to the Geo page. It looks like they only have a German language website, but if you’re an English speaker and really want the magazine, maybe you can have it sent to wherever you are.

“An American is just a Russian with his trousers pressed.”

18 Tuesday Feb 2014

Posted by Anika in Allies, Americans, postwar

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american, americans, berlin, corruption, germany, postwar, scandal

In February 1946, the U.S. Strategic Services Unit (SSU) released the report “Rumors in Russian Zone” that described the opinion Berliners held about American occupation troops. It was a year full of intelligence and US government reports on American activities in Germany, and much of it wasn’t flattering. Not even a year after the war, the GIs earned a reputation as “men who drink to excess; have no respect for the uniform they wear; are prone to rowdyism and to beat civilians with no regard for human rights; and benefit themselves through the black market.”

Truth or exaggeration? Was a GI in the early postwar years little better than a “Russian with his trousers pressed?” (The Russians were notorious for violence and corruption, especially in the months directly after the war). How much American corruption existed on the ground in Berlin?

An intelligence officer’s testimony before a Senate Special Committee in 1946 started an avalanche of investigations and bad press for US occupation forces. Col. Francis P. Miller, ex-executive officer with the Office of the Director of Intelligence at the US government headquarters (OMGUS) in Berlin, complained about illegal activities that reached the highest offices. They were, he said, swept under the rug by none other than Lt. General Lucius Clay, deputy military governor and director of OMGUS in Berlin. CIA historian Kevin Conley Ruffner describes the affair in his excellent article The Black Market in Postwar Berlin; Colonel Miller and an Army Scandal (Prologue Magazine Vol. 34, No. 3, Fall 2002).

Miller’s accusations focused on the “moral disintegration” of American officers and enlisted men. Sexual excess and the venereal disease that came with it was just one side of the coin. The other was money. Miller pointed out that troops sent home a lot more money than was being paid out to them. In July 1945 the army’s finance office in Berlin paid troops one million dollars, “yet soldiers sent some three million dollars to addresses in America,” Ruffner says.

For Americans, Germany and Berlin in particular, was a get-rich-quick opportunity. A soldier could buy 10 packs of cigarettes for 50 cents at the PX and sell them for $100. Russians paid exorbitant amounts for watches, a status symbol. Even after the army cracked down on some of this activity, the damage to its reputation was done. Ruffner quotes the official army historian in Germany, who said the gigantic fraud “gave many Germans the impression that Americans are fundamentally dishonest and weak.”

Back in the States, Miller’s accusations were picked up by Republicans looking to damage the Truman administration ahead of the next elections. The Senate special committee appointed counsel George Meader to launch a preliminary investigation. After interviewing dozens of witnesses in the US and Germany, he recommended an even deeper investigation into the goings-on in the US occupation areas.

Even before Meader’s report was made public, the stuff hit the fan. Branches of the US government bickered over who should investigate what, and to what extent. The Truman administration opposed an investigation. It didn’t want scandal to disrupt talks with the British on economically uniting their German zones. General Clay opposed an investigation because of the propaganda capital the Soviet press would get from it.  The major US press reported on allegations of fraud, failure and incompetence in the military government. The Senate special committee’s chair Senator Kilgore (D- West Virginia) criticized Meader — his committee’s counsel — for succumbing to “hearsay, rumors and gossip.”

At one time, four army and government investigations were under way at the same time. But by 1948, the issue had blown over. The Soviet threat and the Berlin Airlift were more important than raking up accusations about corruption.

I highly recommend Ruffner’s article, as well as a close read of his excellent footnotes. The scandal may be forgotten in the general postwar/Cold War narrative, but it gives a fascinating glimpse into the early US occupation of Germany.

The power of music

11 Tuesday Feb 2014

Posted by Anika in Media

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afn, bfn, germany, music, postwar, radio

I’m not a fan of German music in the 1940s. The Nazi era and World War II weren’t times of great creative achievements in Germany. No wonder — when Goebbels put a straight-jacket on film, music and other arts in the 1930s, many of Germany’s best artists, often Jews or anti-Nazis, left the country or were forced to stop creating and innovating.Gedenktafel_Podbielskiallee_28_(Dahle)_American_Forces_Network OTFW,13Spe2014 Berlin

In the postwar years, the Germans could finally listen to the allied airwaves without fear of reprisals (it was a crime in the war to listen to BBC). Young Germans especially got their first taste of the newest in allied music. I hadn’t thought about what an important cultural issue this was until I visited the Allied Museum in Berlin exhibit “The Link with Home — and the Germans Listened in.”

The Armed Forces Network (US), the British Forces Network and the Radio Forces Francaises gave allied soldiers news and entertainment from their home countries and their zones. They were geared to young soldiers at first, and as the occupation of Germany continued, to family members. Here are a few shows from an early program of the British Forces Network:

07.10 Sunrise Serenade. Bright and Breezy listening for a Sunday morning.

09.45 Hour of Charm. An American programme of Morning melody.

14.45. Transatlantic Quiz. America v. Britain, a contest to find who knows most about the other’s country.

20.30. The Army Radio Orchestra. Conducted by R.S.M. George Melachrino with guest artistes.

21.10 Weather forecast for the British Zone.

Without intending to, the allied radio stations attracted large numbers of German followers. Young people would crowd to AFN’s open house to get a glimpse of their favorite disc jockeys. Their relaxed style attracted the Germans because it was so different from the controlled tone of German radio. The programs weren’t overtly political, also a novelty for Germans used to everything being propaganda one way or another.

Of course, allied radio was subtly political in the sense of presenting American or other allied ways of life as an attractive alternative to the Nazi era. Again, this wasn’t its main mission, just a nice side effect, one more cultural tool — like the British, French and American cultural centers all over Germany — that opened the Germans to the world.

*Photo: By OTFW, Berlin (Self-photographed) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

New Films page

07 Friday Feb 2014

Posted by Anika in Culture, Media

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berlin, films, germany, media, movies, postwar

I’m on a role now with the new pages, this one on films set in postwar Germany (and in one case you’ll probably guess, in Vienna).

Most of them are German films, well worth a look even if you  don’t know the language. The footage was often shot on location, making the films an authentic snapshot of Germany in the first years after the war.

If you have any suggestions to add, especially English films, let me know.

Enjoy the show!

Photo essays and white lies

04 Tuesday Feb 2014

Posted by Anika in Media

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allied, germany, photography, postwar, soldiers

Photos can lie. It’s not a big revelation to us, but in the postwar world, people weren’t so sophisticated about media.

Photos are political too. After the war, photographers flooded into Germany to record the destruction and to give the world images of the German enemy. Allied Rückführung deutscher Kinder aus Polenphotographers arrived with an agenda, or several at once. No doubt they wanted to show the truth of what they saw, to use photos to tell the story of Germany’s defeated state. They wanted to ask their audience at home to look at the photos and think about how these Germans could be the same people who caused the Holocaust. They wanted to show allied life, German life, and where they intersected.

I found a nice example of how photographers coped in a photographic history of the postwar Ruhr area (Bildberichte. Aus dem Ruhrgebiet der Nachkriegszeit) issued a few years back by what is now the excellent Ruhr Museum in Essen. Unfortunately, I can’t find these images on the web, so I’ll describe what’s on p. 71 and 72.

The British magazine Picture Post did a report on August 31, 1946 called “Europe can’t afford this Germany” (this is my translation of the title since my source only had the German). One photo is especially interesting:

The Girl without a boy, the soldiers without a girl. A woman in heels looks at a pair of allied soldiers who gaze into a shop window.

On the next page of the Ruhr Museum book are the negatives of the original images used later in the Picture Post article. In the original shots, the girl and the soldiers had nothing to do with each other. The girl is alone pausing in the street for one reason or another. You only see the back of her curled blond hair, her black heels and dark dress. The soldiers are window shopping and chatting in what was likely a different location, one of many brick buildings.

The photographer melded the two images to make a point. The girl in the montage is looking at the soldiers, who are at the moment more interested in what they see in the shop window. (As unlikely as that is!). The families of allied soldiers were concerned about the goings-on they heard about in Germany, a sexual freedom the boys likely didn’t have at home. The Girl Without a Boy photo sent a message of the pretty, available, perhaps even predatory German woman just waiting for the allied boys to notice her. The photo melded from two unrelated images was a small lie, and it became political.

It’s important to look critically at photos shot in postwar Germany. Remember what goals the photographer might have had, and keep the most basic modern attitude to media in mind — what you see might not be what it seems.

Photo: Bundesarchiv, Bild 183-2003-0703-500 / CC-BY-SA via http://creativecommons.org/licenses/by-sa/3.0/deed.en Wikimedia Commons

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