• About
  • Books
  • Films

Postwar Germany

~ 1945-1949

Postwar Germany

Tag Archives: germany

The power of music

11 Tuesday Feb 2014

Posted by Anika in Media

≈ Comments Off on The power of music

Tags

afn, bfn, germany, music, postwar, radio

I’m not a fan of German music in the 1940s. The Nazi era and World War II weren’t times of great creative achievements in Germany. No wonder — when Goebbels put a straight-jacket on film, music and other arts in the 1930s, many of Germany’s best artists, often Jews or anti-Nazis, left the country or were forced to stop creating and innovating.Gedenktafel_Podbielskiallee_28_(Dahle)_American_Forces_Network OTFW,13Spe2014 Berlin

In the postwar years, the Germans could finally listen to the allied airwaves without fear of reprisals (it was a crime in the war to listen to BBC). Young Germans especially got their first taste of the newest in allied music. I hadn’t thought about what an important cultural issue this was until I visited the Allied Museum in Berlin exhibit “The Link with Home — and the Germans Listened in.”

The Armed Forces Network (US), the British Forces Network and the Radio Forces Francaises gave allied soldiers news and entertainment from their home countries and their zones. They were geared to young soldiers at first, and as the occupation of Germany continued, to family members. Here are a few shows from an early program of the British Forces Network:

07.10 Sunrise Serenade. Bright and Breezy listening for a Sunday morning.

09.45 Hour of Charm. An American programme of Morning melody.

14.45. Transatlantic Quiz. America v. Britain, a contest to find who knows most about the other’s country.

20.30. The Army Radio Orchestra. Conducted by R.S.M. George Melachrino with guest artistes.

21.10 Weather forecast for the British Zone.

Without intending to, the allied radio stations attracted large numbers of German followers. Young people would crowd to AFN’s open house to get a glimpse of their favorite disc jockeys. Their relaxed style attracted the Germans because it was so different from the controlled tone of German radio. The programs weren’t overtly political, also a novelty for Germans used to everything being propaganda one way or another.

Of course, allied radio was subtly political in the sense of presenting American or other allied ways of life as an attractive alternative to the Nazi era. Again, this wasn’t its main mission, just a nice side effect, one more cultural tool — like the British, French and American cultural centers all over Germany — that opened the Germans to the world.

*Photo: By OTFW, Berlin (Self-photographed) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

New Films page

07 Friday Feb 2014

Posted by Anika in Culture, Media

≈ Comments Off on New Films page

Tags

berlin, films, germany, media, movies, postwar

I’m on a role now with the new pages, this one on films set in postwar Germany (and in one case you’ll probably guess, in Vienna).

Most of them are German films, well worth a look even if you  don’t know the language. The footage was often shot on location, making the films an authentic snapshot of Germany in the first years after the war.

If you have any suggestions to add, especially English films, let me know.

Enjoy the show!

Photo essays and white lies

04 Tuesday Feb 2014

Posted by Anika in Media

≈ Comments Off on Photo essays and white lies

Tags

allied, germany, photography, postwar, soldiers

Photos can lie. It’s not a big revelation to us, but in the postwar world, people weren’t so sophisticated about media.

Photos are political too. After the war, photographers flooded into Germany to record the destruction and to give the world images of the German enemy. Allied Rückführung deutscher Kinder aus Polenphotographers arrived with an agenda, or several at once. No doubt they wanted to show the truth of what they saw, to use photos to tell the story of Germany’s defeated state. They wanted to ask their audience at home to look at the photos and think about how these Germans could be the same people who caused the Holocaust. They wanted to show allied life, German life, and where they intersected.

I found a nice example of how photographers coped in a photographic history of the postwar Ruhr area (Bildberichte. Aus dem Ruhrgebiet der Nachkriegszeit) issued a few years back by what is now the excellent Ruhr Museum in Essen. Unfortunately, I can’t find these images on the web, so I’ll describe what’s on p. 71 and 72.

The British magazine Picture Post did a report on August 31, 1946 called “Europe can’t afford this Germany” (this is my translation of the title since my source only had the German). One photo is especially interesting:

The Girl without a boy, the soldiers without a girl. A woman in heels looks at a pair of allied soldiers who gaze into a shop window.

On the next page of the Ruhr Museum book are the negatives of the original images used later in the Picture Post article. In the original shots, the girl and the soldiers had nothing to do with each other. The girl is alone pausing in the street for one reason or another. You only see the back of her curled blond hair, her black heels and dark dress. The soldiers are window shopping and chatting in what was likely a different location, one of many brick buildings.

The photographer melded the two images to make a point. The girl in the montage is looking at the soldiers, who are at the moment more interested in what they see in the shop window. (As unlikely as that is!). The families of allied soldiers were concerned about the goings-on they heard about in Germany, a sexual freedom the boys likely didn’t have at home. The Girl Without a Boy photo sent a message of the pretty, available, perhaps even predatory German woman just waiting for the allied boys to notice her. The photo melded from two unrelated images was a small lie, and it became political.

It’s important to look critically at photos shot in postwar Germany. Remember what goals the photographer might have had, and keep the most basic modern attitude to media in mind — what you see might not be what it seems.

Photo: Bundesarchiv, Bild 183-2003-0703-500 / CC-BY-SA via http://creativecommons.org/licenses/by-sa/3.0/deed.en Wikimedia Commons

Postwar — a historian’s achievement

29 Wednesday Jan 2014

Posted by Anika in Books

≈ 4 Comments

Tags

germany, historian, judt, postwar, war

postwar croppedI haven’t finished the late British historian Tony Judt’s major work Postwar: A History of Europe Since 1945, but I wanted to write a brief review anyway. I can’t have a postwar Germany blog without including something about this amazing book.

Amazing not because I agree with everything Judt says. He admits up front much of what he writes is controversial and up for discussion. I like discussion, especially about history. People think history is a done deal, something in the past that doesn’t need to be rehashed. I think history is living memory, even if people who lived it have passed away. And something alive should be argued about, examined, rethought.

For that alone, Postwar is an amazing achievement.

The next thing is the book’s scope. After the Cold War world order fell with the break up of the Soviet Union, Judt thought about taking a new look at the post-World War II era. What everyone assumed was a more or less permanent or even natural state of things — the bipolar world of Soviet Union v. United States — and the role Europe played in it, was really an interlude, Judt argues. The conflicts that arose in Europe after the Soviet Union dissolved are some of the conflicts that lay dormant since World War II (or even World War I). It was time to look at Europe’s history again as a whole, not cut into west and east. Without Cold War blinders or the usual ideological tug-of-war that historians had during that era, it’s now possible to look at the whole postwar era in a new light.

And that’s what Judt did. A sweeping, epic look at sixty years of history framed by two Europes — the one that bled itself in two horrific wars, and the one capable of cooperation in a whole new political form, the European Union.

The book is beautifully written, accessible, full of interesting facts, references and quotes. The controversy comes in what conclusions Judt draws from his material (and what material he chose to include, of course), and when you read the book, you should do it carefully. Germany is so central to the postwar story. It’s what I know most about, so I look most closely at those references in Judt’s book. I got snagged in a problem with one of Judt’s conclusions early in the book, and it bothered me enough that I ended up discussing it with my German husband one night.

It wasn’t even a post-World War II issue, but post-World War I. Judt concluded Germany was in a relatively stronger position than it was before World War I because the cost of the war to the Allies was so high, and Germany didn’t pay its reparations after the war. This struck me as totally wrong, especially if you look at *why* Germany didn’t pay its reparations. This argument can’t ignore the famine, inflation, unemployment, assassinations and civil war fighting in Germany after World War I, as well as its difficult time establishing what for Germany was a brand new and unpopular political structure — a republic. France, which had suffered the worst along with Belgium in the war, sent troops to occupy cities in the German demilitarized zone when Germany couldn’t comply with reparations demands. In 1921 this turned into a full-blown occupation of the Ruhr area, Germany’s center for coal, steel and heavy industry. A “relatively stronger” Germany wouldn’t have allowed this. I’m not arguing about the right or wrong of the Ruhr occupation or even of reparations. I just can’t understand how Judt could conclude Germany was relatively stronger in this situation than it was before the war, even if the losses of the European allies are taken into account.

Regardless, I’m really enjoying Postwar, and would recommend it to anyone interested in 20th century history.

 

 

Two kinds of Woman

21 Tuesday Jan 2014

Posted by Anika in Women

≈ 2 Comments

Tags

germany, postwar, trummerfrau, veronika, women

Postwar Germany has two iconic views of women — the Trummerfrau and what the GIs called Veronika Dankeschön. Of course not every woman could be squeezed into one category or other, but they reflect two extreme ways women made do in the postwar world.

Bundesarchiv

Bundesarchiv

I’ll start with the “heroic” icon, the Trummerfrau. It literally means “rubble woman,” and that’s exactly what they were, the women who hammered bricks, shifted the ruins off the streets, salvaged materials for reconstruction. In Berlin alone, about 60,000 women did this work for the extra rations they were entitled to. A woman whose main job was mother and hausfrau received a lot less to eat than the women who cleared the streets. Food rations were everything, especially when the women supported old people and children in the home.

They had to. Their men were missing, killed, severely wounded or emotionally scarred. Suicides after the war were likely to be men. For those few immediate postwar years, the women held society together and laid the groundwork for the country Germany would become, an unusual freedom that would evaporate in the 1950s.

The opposite of the trouser-wearing, dusty, hard working Trummerfrau was the girl people in the era would call “loose,” to put it mildly. The Veronika Dankeschön — the initials purposely spell VD, a serious problem in the postwar world —  used her sex to get the basic things she needed and wanted. Nylons were the stereotype, but women went out with Allied soldiers for many other reasons — food and cigarettes, new music in the Allied clubs, even the hope of marrying and being taken to another country. There was a shortage of German men and a surplus of Allied men, so none of this was a surprise.

Not every woman who went out with an Allied soldier was a Veronika. Plenty of young German women just wanted to have some fun after the war, meet new people, open up to the world. Many did eventually marry. But the Germans as a whole looked warily at the girl who dated an Allied soldier. She might be called an Ami-liebchen (American-lover), a term just short of prostitute.

Once (western) German society stabilized in the 1950s, the Trummerfrau and the Veronika made way for the new ideal of German women. It looked a lot like the old one — respectable wife and mother, a support for her man. What women did in the immediate postwar years to keep their families fed, have fun or seek advantages was swept under the rug. An embarrassment for some, a cause for shame. The postwar years were considered immoral, a time most Germans wanted to forget almost as much as they wanted to forget the war.

*Photo 1: Bundesarchiv, Bild 183-25093-0003 / CC-BY-SA [CC BY-SA 3.0 de (http://creativecommons.org/licenses/by-sa/3.0/de/deed.en)%5D, via Wikimedia Commons

← Older posts
Newer posts →
Follow Postwar Germany on WordPress.com

Categories

  • 1945
  • Allies
    • British
    • French
    • Soviets
  • Americans
  • berlin
  • Books
  • Children
  • Crime
  • Culture
  • Denazification
  • Everyday life
  • general
  • Hunger
  • Jewish life
  • Media
  • Personalities
  • Politics and government
  • postwar
  • Travel
  • Uncategorized
  • Women

Create a free website or blog at WordPress.com.

Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • Postwar Germany
    • Join 90 other subscribers
    • Already have a WordPress.com account? Log in now.
    • Postwar Germany
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...